Photographs on baryta paper
Mixed Media
The transience of the human body through old age or illness is a further starting point. The fascination for anatomy and pathology goes back to childhood memories.
The artist embroiders old anatomical engravings on dresses tailored to her own figure. Such naive anatomical drawings, rendered in this way, convert the bizarre into a more touching and moving image.
She makes casts of faces, hands and feet of family members in clay, wax or plaster which also undergo a transformation. Through this metamorphosis a special relationship arises between the artist and the person whose body she is “borrowing” for her work.
In this way a personal anatomy is born. The anatomy of a family.
The transience of the human body through old age or illness is a further starting point. The fascination for anatomy and pathology goes back to childhood memories.
The artist embroiders old anatomical engravings on dresses tailored to her own figure. Such naive anatomical drawings, rendered in this way, convert the bizarre into a more touching and moving image.
She makes casts of faces, hands and feet of family members in clay, wax or plaster which also undergo a transformation. Through this metamorphosis a special relationship arises between the artist and the person whose body she is “borrowing” for her work.
In this way a personal anatomy is born. The anatomy of a family.
Sculptural installation, found footage, embroidery on linen
The installation is based on letters from the Great War (1917) found in the heritage of a frontline soldier Urbain Bulté. Clarisse (10) and Irene (10) write a letter to their brother Urbain who is fighting as a soldier at the river Yjzer in the western part of Flanders.
The installation is based on letters from the Great War (1917) found in the heritage of a frontline soldier Urbain Bulté. Clarisse (10) and Irene (10) write a letter to their brother Urbain who is fighting as a soldier at the river Yjzer in the western part of Flanders.
Wax, plaster, unfired clay
Casts of faces, hands and feet of family members may give the illusion that the artist can possess and preserve them in clay, wax or plaster which also undergo a real or imagined transformation. Through this metamorphosis a special relationship arises between the artist and the person whose body she is “borrowing”.
Casts of faces, hands and feet of family members may give the illusion that the artist can possess and preserve them in clay, wax or plaster which also undergo a real or imagined transformation. Through this metamorphosis a special relationship arises between the artist and the person whose body she is “borrowing”.
Mixed media
This sculptural work found its inspiration in the 17th and 18th century fashion of women's dresses. The side hoops here turn into a ceremonial table to entertain 12 guests. The table is, however, left untouched and impeccably clean.
An image of a particular event, that may evoke the sublime, which is, however, artificial and overdone at the same time.
This sculptural work found its inspiration in the 17th and 18th century fashion of women's dresses. The side hoops here turn into a ceremonial table to entertain 12 guests. The table is, however, left untouched and impeccably clean.
An image of a particular event, that may evoke the sublime, which is, however, artificial and overdone at the same time.